This week, with the actual hardware making so many drastic changes and computational photography gaining more interest and capability, we discuss the potential future of photography, beginning with the question “what is a photograph?” Does that definition change depending on your entry point into the medium? Also, a reprint of a collaboration between Richard Avedon and James Baldwin inspires a discussion around how and why we critique art. Plus, is augmented reality the future or simply tomorrow’s 3d? Be sure to check the show notes for an article we will be discussing next week. Pierpaolo Ferrari is our Photographer of the Week.
289: Brother Love Tut
This week, they say imitation is the sincerest form of flattery. If you could recreate any single photograph, which one would it be and why? Does everything in a museum really “deserve” to be there or was Sturgeon right and 90% of everything is just crap? Plus, with modern cameras so dependent on software, should camera makers turn to the open source community? Virginia Thoren is our Photographer of the Week. Connect with us! Leave a message at: (347) 687-9411 or email us at: firstname.lastname@example.org
288: An Iterative Process Like Everything Else
This week, happy Halloween! What constitutes a cultural experience for you? A museum? A gallery? Going bowling? Also, what motivates you to look at art? Plus, we talk about managing expectations of creative endeavors when they are just outside of your comfort zone. Four-time Pulitzer Prize winner Carol Guzy is our Photographer of the Week.
287: If It Sounds Good Now, It’ll Sound Good Later
This week, when do great cameras (or any other tools for that matter) cease to be great? Many of us chase the latest and greatest, but even the older version was great once. Also, some thoughts on photos as objects, courtesy of Wim Wenders and his collection of thousands of Polaroids. Plus, managing expectations about what we put out into the world. Taryn Simon is our Photographer of the Week. As a teaser for next week, what defines a “cultural experience” for you?
286: You Don’t Need To Make New Friends
This week, the amount of new post-production tools (including the newly announced Lightroom CC) inspires a discussion around workflow and the potential need for evolution in how we catalog and process our photographs. While some photographers (ourselves included) tend to prefer the “old” ways of doing things, tools seem to be making a shift, both in capability and in target audience. Also, we begin a look at whether or not you even need a website anymore. There doesn’t seem to be a definitive answer either way and, in the end, it really depends on what you want to get out of your work. Eugene Richards is our Photographer of the Week.