This week, we’re talking about the question of “what comes next?” and how adapting your skills to something completely unexpected may be the difference between moving forward or being left behind. Also, getting out of our own ways and realizing that you can’t get anywhere without taking that first step. Plus, would you show up for a “professional” job with a bag full of point and shoots? Peter Lindbergh is our Photographer of the Week.
293: Trying To Hug A Cloud
This week, Jeffery is back from Paris and is wrestling with whether seeing so much art is inspiring or depressing. Is there a point where experiencing the creativity of others is actually counterproductive? Also, we’ve said it many times...back up your photos. Southern California is on fire and photos still top the list of what people take first. Plus, a few gift picks for both the photographers and the non-photographers on your lists. Billy & Hells are our Photographers of the Week.
292: When You Cry Authenticity Wolf
This week, we discuss walking the line between creativity and productivity. How do you approach getting your creative work done? Are you a planner, or do you fly by the seat of your pants and go where the muse leads? Also, what would prompt you to walk away from social media if you had more than a half-million followers? Plus, we weigh in on a couple listener emails. Vitas Luckus is our Photographer of the Week.
291: It’s All About The Torque
This week, we discuss a recent article talking about “capitalist realism,” an idea that suggests that the work of Annie Leibovitz and Gregory Crewdson are two sides of the same coin in terms of the worlds they represent. Also, we weigh in on a photographer who decided to make an editorial decision on a photograph that didn’t go well. Plus, Fuji is being sued by Polaroid over Instax. Robert ParkeHarrison is our Photographer of the Week.
290: That’s The Recipe For Me
This week, with the actual hardware making so many drastic changes and computational photography gaining more interest and capability, we discuss the potential future of photography, beginning with the question “what is a photograph?” Does that definition change depending on your entry point into the medium? Also, a reprint of a collaboration between Richard Avedon and James Baldwin inspires a discussion around how and why we critique art. Plus, is augmented reality the future or simply tomorrow’s 3d? Be sure to check the show notes for an article we will be discussing next week. Pierpaolo Ferrari is our Photographer of the Week.