- Podcasts in Family
- Stations in Family
274: The Unatographer
We begin this week with a little tech talk around monitors. Is 4K the way to go, or is an ultrawide 1080 the better play? In the end it’s just pixels, but most photographers want as many as they can get. We also talk about elevating photography into an art form, exemplified by the career of John Szarkowski, an iconic photo curator who recently passed away. Plus, what makes a portrait? Robert Freeman is our Photographer of the Week.
273: Kenneth Is Funded With Advice
This week, a listener asks for advice on how to fund a print project, which leads us on a discussion around potential solutions as well as options for compromise on what the end product looks like — something anyone who has made anything will likely be able to relate to. Also, a few stories that re-open the discussion around copyright and what a slippery slope it can be to navigate on both sides of the equation. Plus, “fake” is the new “it” word — fake news, fake photos, fake fame — but what happens when we really do lose our ability to tell fact from fiction? Martin Munkácsi is our Photographer of the Week.
272: If I Stand Still, That’s When the Cobwebs Grow
This week, we discuss the possibilities of stepping outside our comfort zones. Sometimes, the beginning of a project seems too far out of reach — maybe even more than we can handle — but we find that the sweet spot in the Venn diagram between challenge and uncertainty is exactly what we need to take the work somewhere it couldn’t have gotten to any other way. Also, where have all the Renaissance men gone? William Christenberry is our Photographer of the Week.
271: Hanging Out With The Other Kids Drinking Cristal
This week, for all of the “improvements” in the creative tools we use — specifically around software — have they really gotten noticeably better? Faster, yes. But are we more productive and is the work we produce better because of the tools or is it something else? Also, nepotism might get you in the door, but it doesn’t keep you in the game. Plus, should an artist be allowed to destroy his or her work from beyond the grave? Jason Lee is our Photographer of the Week.
270: The Luster Dulls Over Time
This week, we’re talking about inherited meaning, specifically related to last week’s discussion around using tintype to capture older blues musicians and how that process seemed to “fit” the subject matter. Does the process give the photographs more meaning? Is the fact that they are actual tintypes “better” than if a similar effect had been achieved with a preset or a filter? Also, a terrific story about a husband and wife, their Hasselblad, and the Moon. Lilian Day Thorpe is our Photographer of the Week.